Published to coincide with the exhibition Brian Clarke: Between Extremities at Pace Gallery, New York, in 2013, this catalogue concentrates on Brian Clarke’s work as a sculptor, painter and stained glass artist. Works reproduced range from his sculpted ‘drawings in air’ to the monumental lead and stained glass rose window Don’t Forget the Lamb (Obverse). This catalogue features essays by art historian Martin Harrison and art historian, cultural critic and artist Robert Morgan.