Stansted Airport (with Norman Foster)
Stansted Airport, England
1988 – 1991
"The original proposal for Stansted involved two dramatic sequences of stained glass panels along the east and west walls of the terminal building. These forty-four grid-based panels were developed by the artist in collaboration with Sir Norman Foster and Spencer de Grey as a contrapunctual development of 'perforations into the white opaque membrane of the building'. In their own turn, Clarke's own grids were subsequently disturbed by apparently random 'amorphs' of colour. This was probably the first time in the development of the medium of stained glass that computer-generated projections have been used by the artist."
"In 1988, Brian Clarke and Norman Foster proposed a major stained glass artwork for the new terminal building of Stansted Airport, by Foster + Partners. The collaboration, the first time in the history of stained glass that computer-assisted design had been utilised in the creative process, would have seen the east and west walls of the High-tech building clad in two sequences of traditionally mouth-blown, leaded stained glass. For complex technical and security reasons, the original scheme, which Clarke considered to be his magnum opus, couldn't be executed. In 1991, the British Airports Authority commissioned a second, smaller stained glass project from Clarke for Stansted Airport in place of his and Sir Norman Foster's original 1988 proposal. The artist designed two friezes and a 6-metre high tower of stained glass for a circulation area in centre of the terminal which, in their composition, echoed elements of Foster's structure; by 1994 the tower had been removed to 'allow greater flow of traffic through the space', and later the friezes were likewise removed."